Asia Talent Development meeting invites Asia Leading Festivals to join. Exhcnage ideas of building an sustaniable artist development program

When the scope of live shows transcends from local stages to international ones, artists can no longer go it alone with their small teams. They need experts familiar with various global markets and cultures to create opportunities for them to access the vast world. This is the job of booking agents. Let’s delve into the roles they play throughout the entire ecosystem and gain insights into the keys to collaborating with them.

Even though music media no longer hold the power to determine life or death for artists, they remain a primary channel for many to discover new music. In this session, we approach the topic from the perspectives of artists, public relations, and the media, guiding you on how to establish relationships with international music media and create exposure, making them significant partners for overseas development.

As the fourth most populous country in the world, Indonesia’s market size has always drawn the attention of many. In recent years, we have witnessed the steady growth of the Indonesian music industry. However, the love for local music styles and a preference for freemium streaming services seem to pose challenges to outsiders. In this session, we invite four music experts from Indonesia to analyze the music market and culture of this country, which is unique and not to be missed.

Composer and producer, Julien Chirol is CEO of Music Unit. A graduate of Paris CNSM (higher national conservatory of music) and of Paris École Polytechnique, he now teaches at Paris CNSM and PSPBB. Alongside his collaborations on stage and in studio with many French artists – Jane Birkin, Alain Souchon, Camille, Bénabar, Jean-Louis Aubert – or internationally renowned – Feist, Saul Williams, Angélique Kidjo, Yuri Buenaventura -, he incessantly develops his own projects in the field of contemporary art and improvised music. Julien is also a forensic expert and a Chevalier de l’Ordre des Arts et des Lettres.

People often say that music knows no borders, but for budding artists, the world beyond their own homeland can seem quite unfamiliar, and they may have limited resources. How should they plan and explore appropriately? We will cover topics such as market selection in the early stages, cross-national collaborations, live show arrangements, and even how to sustain the momentum after performances, assisting you in ensuring your international development get off on the right foot from the very beginning.

Nowadays, any country that values the popular music industry has undoubtedly formulated relevant policies, and Taiwan is no exception. If we were to imagine an alternate reality where these policies didn’t exist, what would today’s music scene in Taiwan look like? And as we look to the future, how can these policies better align with Taiwan’s vision for music industry and culture development?

Is social media necessary for music to gain exposure, or is music an extended experience of social media buzz? Regardless, you cannot deny the intricate relationship between them. Let’s explore how to dive deep into applying social media strategies, from analyzing data to collaborating with influencers, to convert popularity into meaningful streaming listens.

If being a musician is a lifelong calling, then instead of overnight fame, what you should be more concerned about is how to have a long-lasting career. The issues related to the mental well-being of musicians extend far beyond half a century, from well-documented substance abuse to anxiety regarding self-identity, appearance, and achievements. Nowadays, they also must confront the emotional labor of round-the-clock engagement with social media. In this session, we invite a therapist who specialize in the music industry to share her insights, helping you understand these issues and learn the practice of self-care.